Wassers work explores reoccurring generational concerns of image, belief, myth and identity.
These themes are executed in various mediums against the backdrop of a hectic research based studio practice involving Wasser assuming roles of employment and occupations that have no apparent connection to contemporary art practices.
Stripping authority of its power, Wasser renders the political as defunct and the irrelevant as intrinsic. The production of the work naively yet simultaneously prophetically abides to no traditional or institutional trends commonly associated with the art world.